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BRING ON BARD: ACTV DRAMA APPRCHS SHKSPRS DVRS STD RDRS

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<P>Shakespeare didn’t write his plays for readers; he wrote individual <Q>cue scripts</Q> for actors who hadn’t read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors’ cues for meaning, emotion, and emphasis are still embedded in Shakespeare’s language, ripe for discovery by today’s students. Shakespeare’s plays rightly remain a staple of the ELA curriculum, but evolving standards and youth culture itself challenge teachers to put students—not a text—at the center of a reading experience in order to support diverse readers and learners. How can we do this? Experienced educators introduce us to the Folio technique, which builds on active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities. Without requiring students to become actors, the Folio technique helps them to discover the clues the Bard built into his works that allow actors to efficiently understand their characters’ text, context, and subtext. Teachers can use excerpts from the First Folio along with a mass market paperback or digital edition of a play to help students get closer to Shakespeare’s intentions; understand the language, action, and emotions of the characters; and perhaps even explore the challenges the Bard’s modern editors face. The book offers suggestions for using parallel text, graphic, and abridged editions of Shakespeare’s works, as well as activities using cue scripts and a variety of viewing experiences. A deep dive into the rich resources available for teaching Shakespeare’s plays, this book is for every high school teacher—early career to veteran—looking for new, hands-on activities to draw students of all ability levels into the work and world of Shakespeare.</P>

Bring on the Bard: Active Drama Approaches for Shakespeare’s Diverse Student Readers

Professional & Reference

Bring on the Bard

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Front Cover.
Half Title Page.
NCTE Editorial Board.
Title Page.
Copyright Page.
Dedication.
Contents.
Acknowledgments.
Prologue.
1: Tailor an Experience for Diverse Student Learners.
2: Pair the First Folio of 1623 with Print, Graphic, or Digital Editions.
3: Use Active Drama Approaches as Bell Ringers to Warm Up a Text.
4: Sort Out Language Clues Using the Folio Technique.
5: Understand Verse Clues Using the Folio Technique.
6: Explore Rhetorical Clues Using the Folio Technique.
7: Create Abridgements and Cue Scripts.
8: Connect Shakespeare to YA Fiction, Contemporary Literature, and Media Texts.
Epilogue.
Appendix A: Speeches for Further Study.
Appendix B: Cue Scripts for A Midsummer Night&#x2019;s Dream.
Appendix C: Capstone Analysis Activity.
Appendix D: The Clash of the Film Clips: Is It Shakespeare?.
Appendix E Building Your &#x201C;Bard Bookshelf&#x201D;.
References.
Index.
Authors.
Other Backmatter.

Bring on the Bard: Active Drama Approaches for Shakespeare’s Diverse Student Readers.css-1p8rvzy{position:absolute;padding-left:8px;}

Bring on the Bard: Active Drama Approaches for Shakespeare’s Diverse Student Readers