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EXPML FILM ARTST MVG IM SER: MOVING IMAGE AS PUBLIC ART

Visual Arts

Media & Fine Arts

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Marketing Imprint Name

B2B GT

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B2B & B2C

<P>This book maps the presence of moving images within the field of public art through encounters with passersby. It argues that far from mere distraction or spectacle, moving images can produce moments of enchantment that can renew, intensify, or challenge our everyday engagement with public space and each other. These artworks also offer frameworks for understanding how moving images operate in public space—how they move viewers and reconfigure the site of the screen. Each chapter explores a mode of address that examines how artists and curators leverage the moving image’s attentional power to engage audiences, create spaces, make place, and challenge assumptions. This book also examines the difficulties and compromises that arise when using urban screens for public art.</P>

The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment

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The Moving Image as Public Art

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Other Frontmatter.
Other Frontmatter.
Title Page.
Copyright Page.
Acknowledgments.
Praise for The Moving Image as Public Art.
Contents.
About the Author.
List of Figures.
Introduction.
1: Enchantment: Encountering Moving Images on Urban Surfaces.
2: Commercial Breaks: Intra-spectacular Public Art.
3: Screen Spaces: Zones of Interaction and Recognition.
4: The Light Festival Phenomenon.
5: Precarious Platforms: The Paradox of Permanent Moving Images.
6: Superimposition: Forms of Moving Image Site-Specificity.
7: Postscript: Reflections from a Summer Without Public Space.
Bibliography.
Index.

The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment.css-1p8rvzy{position:absolute;padding-left:8px;}

The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment