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The Palgrave Handbook of Script Development

Film Studies

Media & Fine Arts

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B2B & B2C

<P>This book provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers’ room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialized practice, this handbook is for anyone who practices, teaches or studies screenwriting and screen production.</P>

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PALGRAVE HB SCRIPT DEVELOPMENT

Duration

Duration Unit Of Measure

Transaction Type

Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Acknowledgements.
Contents.
Notes on Contributors.
List of Figures.
List of Tables.
Introduction.
1: &#x2018;Behind the Scenes&#x2019; of Script Development.
2: The Feedback Phenomenon: Dealing with Multiple Voices in the Development of Original Screenplays.
3: Script Readers as Gatekeepers: Demystifying Processes of Script Coverage.
4: A Creative Pilgrimage: Negotiating Authenticity, Creativity and Budget in the Medieval Web Series Tales of Bacon.
5: Creating the Low-Budget Feature Film Script: Development as Emergence.
6: Script Development on Unscripted Television: Grand Designs and the Spectacle of the Reveal.
7: Saying What Must Not Be Said: Exploring Communication in the Script Development Process.
8: Scripting the Experimental Documentary Film: Developing the &#x201C;Script&#x201D; for Not Reconciled.
9: Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian Showrunner.
10: Constructing Criticism Without Crushing Confidence: Cultures of Feedback in Television Script Development.
11: The Business of Script Development: Insights from Industry Practitioners.
12: Script Development in Time and Place.
13: Doctoring La Cacer&#x00ED;a, Las Ni&#x00F1;as De Alto Hospicio: Issues in Cross-Cultural Script Consulting.
14: Script Development as a Collective Enterprise: The Writing of the Indigenous Feature Film Waru.
15: Independent, Short and Controversial: The Script Development of San Sabba.
16: How Angelica Became The Strange Case of Angelica: From the Idea to the Script to the Book to the Film.
17: Scripting for the Masses: Notes on the Political Economy of Bollywood.
18: The Relational Language of First Nations Cultural Sensibilities, Principles and Storytelling Ethics as an Intercultural Approach to Script Development.
19: Writers&#x2019; Room and Showrunner: Discourses and Practices in the German Television Industry.
20: The ASEAN ROK SCREENPLAY LAB: Voices Across Asia&#x2014;Stories About Rice.
21: Textual Manifestations of Collaborative Screen Idea and Story Development: A Danish Case Study.
22: Scottish Modernism Goes to New Hollywood: Tracing the Script Development of Alan Sharp&#x2019;s Night Moves.
23: Alternative Approaches.
24: Creating Kaleidoscopic Characters: Working with Performance to Develop Character Stories Prior to Screen Story.
25: Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love.
26: Pedagogy-Led Practice and Practice-Led Pedagogy: A Feedback Loop of Teaching and Screenwriting.
27: A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: Researching the Script Development Process.
28: Scripting and the Multimodal Screenplay Within the Script Development Process.
29: Don&#x2019;t Eat My Baby: Collisions, Development and Indigenous Consultation in the Australian Family Feature Film Screenplay, Dingo.
30: The Application of an &#x2018;Eternal Dance&#x2019; Methodology in the Development of an Original Screenplay.
31: A Collaborative Reflection Between Writer, Director and Actors: Table Read as Scriptwriting &#x2018;Intervention&#x2019;.
32: Hitting the Road: Performing the Journey as a Development Strategy in Paris, Texas and Goodbye Pork Pie.
33: Development Across the Intercultural Divide: Scripting Stories with &#x2018;Other&#x2019; Groups.
34: Unique Contexts of Script Development.
35: Productive Interventions: Collaborative Script Development for Stories About Mental Health Issues and Suicide.
36: Place, Presence and Play: A Listening, Co-Active Approach to Story Development.
37: Crafting Immersive Experiences: A Case Study of the Development of Three Short Narrative Cinematic Virtual Reality (CVR) Projects.
38: The Screenplay as a Means of Communication: The Case of Notorious.
39: Between Video Games and Television Shows, Towards Meta Script Development Practices?.
40: Developing Texts for Animated Opera: A Unique Case Study.
41: From Comedy to Drama: The Curious Case Study of Queenpin.
42: &#x2018;You Never Know Who is in Control&#x2019;: German Transmedia Content Development.
43: Violet City: Script Development from Novel to Green Screen Fantasy Feature.
44: Checking The Black List Twice: The Ambiguous Industry Role of Script Development Services.
Correction to: Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love.
Index.

The Palgrave Handbook of Script Development.css-1p8rvzy{position:absolute;padding-left:8px;}

The Palgrave Handbook of Script Development