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IBROADWAY: MUSICAL THEATRE IN THE DIGITAL AGE

Performing Arts

Media & Fine Arts

Drama & Theatre

Gt Product Group

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Marketing Imprint Name

B2B GT

CL Carton Count

Imprint Name

B2B & B2C

<P>This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike. It examines the extraordinary impact of the digital age on musical theatre, brings together a group of expert voices in the field to address a broad and diverse array of issues - from casting to criticism, and examines how contemporary musical theatre makers exploit digital devices in their research and pedagogy.</P>

iBroadway

COLFR

COLSR

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Duration Unit Of Measure

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Front Cover.
Half Title Page.
Title Page.
Copyright Page.
Dedication.
Acknowledgements.
Contents.
Notes on Contributors.
List of Figures.
1: Musical Theatre in the Digital Age.
Creating Musicals and the Digital.
2: Connection in an Isolating Age: Looking Back on Twenty Years of Engaging Audiences and Marketing Musical Theatre Online.
3: The Digital-Age Musical: Sighting/Siting Musicals Defined by High-Tech Content, Themes, and Memes.
4: Ghosts in the Machine: Digital Technology and Screen-to-Stage Musicals.
Audiences and Performers in the Digital Age.
5: Let&#x0027;s Misbehave: Cell Phone Technology and Audience Behaviors.
6: Digital Fandom: Hamilton and the Participatory Spectator.
7: No-Object Fandom: Smash-ing Kickstarter and Bringing Bombshell to the Stage.
8: &#x201C;You Can&#x0027;t Stop the Tweet&#x201D;: Social Media and Networks of Participation in the Live Television Musical.
9: Digital Technology, Social Media, and Casting for the Musical Theatre Stage.
10: Keeping the Celebrity Flame Flickering: Reality Television Celebrities on Broadway and Fan Interaction Through Digital Media.
Digital Dramaturgy, Scholarship and Criticism.
11: The Advantages of Floating in the Middle of the Sea: Digital Musical Theatre Research.
12: Recanonizing &#x201C;American&#x201D; Sound and Reinventing the Broadway Song Machine: Digital Musicology Futures of Broadway Musicals.
13: Rise Again Digitally: Musical Revivals and Digital Dramaturgy on Broadway.
14: The Ever-Evolving World of Twenty-First Century Musical Theatre Criticism.
15: Looking Backward, Looking Forward: An Afterword.
Index.

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